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OUR SENSES AND THE CITY
The sight and the ear are organs of tact more than the hand, in the city. They indicate the space and the movement in three dimensions, where everything what happens corresponds exclusively to the kinetic one and refers to our personal safety. Our ears calculate precisely the distance of the danger and the sight loses his optical quality to diminish to a complex function of spur, rein and brake, to the material government of the body that walks between bodies against which it is not necessary to hit. Physiologically and according to the plan of organization of the alive beings, the ear and the sight have pure missions, and because of it the organs are constituted according to the wonderful technology of the aesthetic instruments; in the city they have a tactile function, as tools that are applied directly to the things. They anticipate the impact and repel the objects or look for the prompt paths in the tangle of mobile obstacles. The route is not used to perceive the forms and the colors the masses in movement and his proximity. If they saw the color, the forms and I draw them, we would not advance very much, because to every instant there are in the city prodigies of esfumaturas, shades and details that would fascinate us. Not more not less than the nature, it has hidden exchequers in every particle of a formless mass, in the panoramas and in the details. The light, the color and the forms waste masterpieces in a piece of wall, between the branches of a tree that has behind a building, in an irregular perspective, in a cornice, in a vestibule. Stamps treading on jewels. It is a marem? gnum of broken images, of portions of virginal beauty.
The one who can walk of knees? Our eyes pull us as a halter.
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